#Lo fi plugin pro tools plus

Using impulse responses, spectral shaping, and other techniques, it conveys style features, from vinyl records and analog radios to MP3s, CDs, cassettes, cell phones, and more. Probably the most hyped plugin of this list is the R-c20 Retro Color by XLN Audio. The perfect plugin when your other plugins sound too perfect LO-FI-AF takes you on a journey through the sonic artifacts of the past few decades.

Luckily most of these plugins aren’t that expensive compared to some of the stuff by other brands. Vinyl (iZotope) is slightly over-rated IMHO.ĮDIT: Actually I've cut down a lot on using bitcrushers, because in the end they never really delivered the result I was after. A lot of them do more or less the same thing so in the end it’s up to personal preference (and budget), which ones you should get.

#Lo fi plugin pro tools plus

Finally, I occationally use TAL-Bitcrusher (Togu Audio Line) for very basic bitcrushing PLUS Odaku 2 (Apari) for making my drums sound gritty (usually slapping it on a send-channel). It takes some practice to get the settings right, but definitly worth it if you're after that 'metallic' sound. wav file and give it the sound of the old Akai S-series of samplers. Then there is a little known gem called Akaizer (Ben Burchett) which is a stand-alone program that can take a. Time Machine (ToneBoosters) is also a DOPE bitcrusher that aims to simulate the sound of oldschool samplers.

It just cut the input signal whenever Protools is recording, allowing you to use your external console, or soundcard mixer for live monitoring. Decimort even comes with MPC60 and SP1200 presets (and more!). MuteTone is a freeware plugin utility designed to workaround the inability to shut off input monitoring in Pro Tools. I also use Decimort (D16 Group) to try to achieve an SP1200-ish sound - sometimes with more succes than others. I record crackle from an LP, then loop it over the beat.